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Perfume bottles وقت كامل وظيفة

2022-11-02 20:33   الموارد البشرية   Ras al-Khaimah   149 الآراء المرجعي: 2576
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It's true that once you peel away the layers of mystery and artistry, perfume bottles serve a pretty basic function. Yes, they're lovely to behold — their crystal necks and flower-bulb stoppers like perfect glass gardens. But at the end of the day, they’re designed to hold and dispense liquid with the same efficiency as any humble household cleaner. No wonder most of us assume that the real stars of the fragrance universe are the precious ingredients inside the bottle — those powdery florals and heavy-lidded ouds that conjure memories and emotions and daydreams. But just like so many objects rendered in glass, perfume bottles offer us a slightly distorted — if not totally reverse — version of reality

 

The idea of working from a blank canvas may have its artistic appeal, but it doesn't necessarily translate into creative freedom for bottle designers. If anything, it requires them to be even more thoughtful and deliberate in their approach. "I can design you a beautiful bottle, but there are billions of beautiful bottles out there," says Baron. "That isn't the point. It's about matching the history and the values and the psyche of the brand to a cultural moment and then aligning all of those elements into one clear message... The story is the most important thing."

 

Without a cohesive story to translate the world of a fragrance, says Baron, the entire project falls apart at the seams. "Even if the perfume is amazing, people won't buy it if they don't understand it. They need to feel a connection or it just doesn't work."

 

It might not seem logical to think that a perfume's image is more important than its smell, but then again, the fragrance industry hasn't grown into a multibillion-dollar affair by selling us cold, hard facts. Just consider: Chanel No. 5 rarely performs well in blind smell tests; our modern sensibilities are accustomed to lighter, airier compositions. But housed in its classic glass flacon, the fragrance is a global best seller. "People love the story and what it stands for," says Baron of the full, iconic package. Psychologically (and maybe even biologically), this makes sense. Think of how we grow to appreciate the little quirks and imperfections in the people we fall in love with. The stronger our emotional connection, the more beauty we see.

 

That's why the art of dropper bottle design has acquired new weight in an era where consumers often go online to experience fragrance instead of walking up to a store counter. Without the benefit of touch, human interaction, and the alchemy of scent on skin, people need something else to engage their senses and ignite their interest. And more often than not, the perfume bottle is what fills that virtual space. "It's the first form of communication and the first form of contact that people have with the scent," says De Baschmakoff. "So of course it has to resonate."

 

The trick is to design a bottle that resonates across the board — no small feat. A perfume can mean anything to anyone. Nina Ricci L'Air du Temps reminds me of my mother; it reminds my mother of balmy summer nights in Austria. But the bottle itself is a fixed quantity. It feels the same in our hands, it looks the same on our shelf, and it releases the same nimbus cloud of scent. It connects us.

 

The story behind a car perfume bottle is just as heady and complex as the fragrance inside. Below, we asked designers who have dreamed up some of our favorite bottles in recent years to distill their creative vision.

"I grew up in the countryside, so I felt very close to nature and the people who cultivate the land. When my mother and I decided to collaborate on a collection of natural fragrances, it was very important that we partner with local artisans who shared our love of creativity and know-how," says Baptiste Bouygues, who launched Ormaie. Based in Paris, the brand produces scents made with sustainable, nonsynthetic ingredients. "I worked with Jade Lombard, our artistic director, to design the bottles, and then we set out to find the right craftsmen to bring them to life. Our glassmaker cuts recycled glass into bottles with 12 facets. To me, they represent the hours on a watch, because we put time into everything we do. Each bottle has a hand-carved topper sculpted from sustainable beechwood. The print shop that does our labels still operates a 19th-century Heidelberg machine. All of these components give our products an emotional, soulful quality. In French, the words beau (beautiful) and bon (good) are very close. To make something beautiful, it also has to be good."

 

The perfume bottle especially plays a large role in crafting a brand image, but designing new bottles presents a special challenge for manufacturers. Glass is the material traditionally (and conventionally) used for diffuser bottle, as glass is transparent and preserves the properties of the fragrance stored inside. However, as perfumers prioritize form over function in order to offer the most creative aesthetic appeal, perfume bottles tend to have difficult shapes with complex glass thickness distributions and a low tolerance to container defects.

Fortunately, a recent article published in the International Journal of Applied Glass Science explains the development of a numerical model for manufacturing small glass bottles for perfume that can handle the mathematical complexity of B&B manufacturing. Though there is a lot of math, the researchers do an excellent job of relating the most important aspects of the equations and the model to the material properties and engineering parameters.

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